THE CERAMICS OF BERNARD KERR

Text by Rachael Berry, curator, Gallows Gallery Mosman Park W.A.

 

Kerr explores the ‘language’ of ceramics and attempts to investigate the expression, grammar and structure of the medium. He uses the seemingly inexhaustible language inherent in materials that originate from the earth and the grammar generated through the process of transformation that occurs through heat. The resulting forms are utilitarian and decorative objects that reference the histories of domestic space. 

 

In a self-referential way, Kerr uses the metaphors of his own working life in a dialogue with ceramics. He does this by highlighting the links between our domestic and cultural spaces (how we live), and nature and the environment (where we live). 

 

Kerr’s surfaces and imagery are, for the most part, inspired by the natural physical environment, although the lived space of the home is also quoted.  The indigenous flora and the ancient landscape of Western Australia inspire his vessel forms, which seek to express unique Australian qualities. His ceramic collage pieces reference traditional landscape painting in a craft medium. The relationship between craft and art is also referred to in works that investigate histories of domesticity, the tradition of still-life painting and its associated symbolism.

 

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